Monthly Archives: September 2021

Graffiti As School Starts

Graffiti As School Starts

Santa Rosa Graffiti Cleanup
Graffiti spikes when the kids are stressed: the start of school, exams around Christmas and at the end of the school year in June. These three creative examples appeared over the Memorial Day weekend. The “Wolf” paw print on the creek sign was especially challenging to get off because we needed to remove the yellow without destroying the underlying custom-mileage sign. Aaron, from Santa Rosa Public Works, used Mason Master for that. The other two products, he said, would “take it down to bare metal.”

“PlayboySpeedy” tagged the bridge over Piner Creek, overwriting the ugly gray patch that Public Works put up a few years ago to cover some previous graffiti. This was my opportunity to “air-brush” the whole thing with three different colors of paint over two days.

“RiderThugz” on the pole got color suppression from me with gray primer and the following day, yellow primer, but it looked bad. Aaron polished it with yellow gloss paint. He and I talked for about an hour about his frustration with graffiti and his work to clean up after homeless encampment relocation. I wish he could tune in to the good he is doing. I was happy to learn that he wasn’t the only one on the job — there is a van with more equipment including a pressure washer.

Judy Chicago DeYoung

Judy Chicago DeYoung

Tuesday, 7 September, Linda Loveland Reid drove to SF with Osha and me to visit the Judy Chicago show at the DeYoung, and to meet my friend Sue.

Visiting SF

Dianne and Osha join me on nice September day

Sue had come up from Santa Monica and met us at the entrance to the exhibit. Sue had visited some of Judy Chicago’s Southern California art buildings back in their heyday.

visiting Judy Chicago at DeYoung

I am joined by Sue, Osha, Dianne, and LLR

The show was unusual because Judy Chicago had persuaded the (excellent) curator to show it as a true retrospective — newest work first, working back to her earliest work. It was staggeringly clear how hard Judy Chicago worked to be taken seriously by the museum-level art world and how difficult the male-dominated art establishment made her life. The range of her work and materials is impressive and the newest stuff is the best. Here are a few pieces I found especially moving.

Her most famous piece “Dinner Party” is permanently installed in Brooklyn, but there was a film and some examples of the challenges they faced getting the immense project completed and displayed. I saw it in L.A. at the Hammer Museum with Sasha Ferrer who gave me the catalog book as a gift which I cherish to this day.