Monthly Archives: September 2023

RDS Visits Chateau d’Anet

RDS Visits Chateau d’Anet

I laughed out loud when I got to the end of the photos sent by Bob DeStefano, who I worked with at Grey Advertising in the 1960s.

RDS visits Anet, France, Home of Diane de Poitiers

Bob and his wife love to travel in “places where we don’t need inoculations or health insurance” referring to my recent visit to Morocco. He said:

We drove west from CDG airport and our very first stop on our first day was the très charmant village of . . . (drumroll) . . . Anet! Yes, a real typically French charmer about 45 miles due west of Paris. And it’s even pronunced with the “t” . . . Ah-Net. It has all the small village amenities . . . cafés, boulangeries, restaurants, quaint houses, hôtels, and a street-level, mostly-ruined château.

We planned for it to be our first stop and we were immensely pleased when we saw it. We stayed over in the hotel shown on the road sign. Needless to say, you MUST go there. Attached are some of the reasons why. You’ll love the last photo.

Diane de Poitiers in Aix en Provence

Chateau d’Anet was the location for the opening sequence in “Thunderball” and Bob and I had a lively Email exchange about Diane being a pistol. I shared that, about six weeks earlier, when I was in Aix-en-Provençe, I discovered this portrait of her, donated in 1860 as part of a private collection from Bourguignon de Fabregoules. It is of Diane as an “allegory of peace” and shows her holding the dove of peace in one hand and an olive branch in the other. Notice the shadows that the nipples create… The name of the painter is unknown.

Bob said, “There is a small museum across the street from the château where we got the full lowdown on Diane & Henri.”

OLLI Art – Artistic Couples

OLLI Art – Artistic Couples

I’m so glad I made the effort to get to the class taught by Linda Loveland Reid on artistic couples, even though it was less than 24 hrs from my return. Jet-lagged and with guts grumbling from careless snacking in Morocco, I loved the class. This was my favorite quote:

“I’m Frightened All The Time, But I Never Let It Stop Me.”

By learning the stories of the two artists together, I finally have some context for Georgia’s disturbingly sexual images. I learned that Georgia couldn’t tolerate live-model class in art school (with undraped models) and yet she not only allowed Stieglitz, a married man, to take hundreds of nude photos of her and she allowed him to exhibit a selection in New York City, laying the groundwork of her name being connected with sexual exhibitionism and promiscuity. Did Stieglitz make money from this show?

Mabel Dodge Luhan and O’Keeffe

The teacher also touched on their contemporary artist, Arthur Dove. But who became famous: O’Keeffe or Dove? The recipe continues to be that sexual favors pay for the marketing expertise that few artists can manage. [Exceptions: Koons, Rauschenberg] I look forward to the day we can tell the truth about what works, about how humans really are…

My favorite photo that the instructor showed showed was of Georgia, in the desert, with her arm around the woman who taught her to drive — a woman who maybe was for her, what Georgia was for Stieglitz — someone who could see her and could help her get what she needed.